Tilly Valentine links with Manchester rapper Meduulla on Undercover, a stripped-back R&B track that sidesteps cliché and adds a sharper edge ahead of her upcoming EP Cupid Killer.

Songer’s ‘BONES’ strips his sound back to its core, delivering a more focused, lyric-led track that prioritises control over scale.

SOFY’s ‘Wishbone’ marks a darker, more defined return, trading her usual lightness for something more direct and emotionally exposed.

Stresshead, Ancona and Eddie Caine’s ‘Grab Me Water’ taps into the raw, physical side of club culture, capturing the moment where energy peaks and starts to spill over.

Bellah returns with State of Emergency not to expand her sound, but to tighten it. Three years on from Adultsville, the shift is immediate. Where that project introduced her as a distinct voice within UK R&B, this one feels more deliberate in how it moves.

Mychelle shares Personal Attack, a reflective new single exploring the emotional weight of strained relationships. Produced by SirBastien, the track leans into her signature blend of neo-soul and indie-folk textures.

A few weeks on from headlining Wembley Arena, Arthur Hill returns with Working On It, a release that feels deliberately more inward-looking, especially when set against the scale of what he’s just achieved.

JERUB follows his chart breakthrough with ‘Stay’, a stripped-back release that shifts focus from reach to emotional clarity.

Josh Baker teams up with Eliza Rose on Down To The Bone, a hook-driven house cut already making an impact in clubs. Built for peak-time moments, the track blends rolling grooves with a standout vocal that sticks instantly.

gianna’s debut EP Behind The Wings is a cohesive and emotionally aware project that leans into atmosphere and identity. It’s a controlled, intimate listen that builds its impact through mood, consistency and a clear sense of self.

Jim Legxacy returns with idk idk, a stripped-back release that focuses on uncertainty rather than momentum. Following the success of black british music (2025), the track captures the pressure and confusion that come after everything starts moving.

Tia Gordon returns with should i give it up, a restrained neo-soul track that leans into self-doubt and creative uncertainty. The single offers a more exposed moment ahead of her upcoming EP i asked the stars for this. x.

Ellie Allen returns with LOVEBOMB, a sharp, club-driven track that channels the chaos of modern dating into something more controlled and confrontational. Blending heavy production with self-aware writing, the single marks a more defined edge in her sound.

Finn Askew returns with Distance, a late-night, tension-filled single that leans into a more chaotic and instinctive side of his sound. Produced by Ezra Skys, the track blends alt-R&B and pop influences while setting the tone for his upcoming mixtape.

Charlie Jeer links up with Mahalia for a reworked version of Mona Lisa, bringing a smoother R&B edge into his jazz-house sound. The new version reshapes the track through live instrumentation and a more conversational vocal dynamic.

YAZ returns with Big Deal, a confident new pop single that turns a frustrating studio experience into a sharp statement about ego, self-worth and standing your ground. Built around bright guitar riffs and polished production, the track continues the momentum behind the rising UK pop artist.

ELIZA returns with Pleasure Boy, a smooth new single taken from her album The Darkening Green, her first full project in four years. The track pairs disco rhythm with earthy R&B influences, drawing on the spirit of Prince and D’Angelo while introducing listeners to the themes shaping her latest record.

At 19, most artists are still writing about the thrill of falling. Mulaa Joans is already documenting what happens when it falls apart. “Love Letter” opens with a hypnotic piano motif that feels deliberate, almost patient. There’s no rush to impress. Then her voice enters and sits cleanly on top of the beat. It doesn’t fight for space. It commands it.

A decade in, Amelie Lens isn’t softening. “Falling Into Acid Dreams” lands ten years after her debut EP Exhale, and instead of marking the anniversary with sentimentality, she returns to pressure. Fast, tightly wound, acid-driven techno built with intent.

On 24th February, Nottingham’s Rescue Rooms felt less like a venue and more like a living, breathing amplifier. BRITs Week 26, delivered by DHL for War Child, rolled into the city with Myles Smith at the controls, and from the first note it was clear this was not going to be a gentle evening.