Julia Wolf has released her new single ‘Deep End’, available now across streaming platforms alongside an official music video directed by Lucy Sandler.

Songer continues the rollout for his forthcoming album WHAT IF I SAY NO? with ‘PLACES + FACES’, a high-energy collaboration with KiLLOWEN that sees two of the UK's fastest-rising artists bring out the best in each other.

West Midlands artist The New Consistent returns with Party Tricks, a cohesive and emotionally sharp new EP that blends spoken word, soul and alternative hip-hop into one of his strongest projects to date.

Summary: JGrrey returns with ‘Take My Hand’, a warm and emotionally open new single featuring Bel Cobain that blends alt-R&B, neo-soul and jazz into one of her most intimate and musically rich releases to date.

Reuben Aziz returns with Mind The Gap, a confident and cohesive new mixtape that feels like the moment the Southampton-born artist fully steps into his own. Blending alternative R&B, rap and melodic songwriting, the project builds on the momentum of tracks like ‘Shotgun’ and ‘ego death’ while delivering his strongest body of work to date.

Nadia Loren returns with ‘Wings of Desire’, a polished and emotionally open pop single that pushes the rising UK artist further into the glossy, playful sound currently shaping alternative pop.

Lonnie Gunn’s Good Girls Go to Heaven turns the stale rituals of post-break-up distance into something rougher and more convincing, giving sharper definition to the sound she has been sketching out across recent singles.

Tilly Valentine links with Manchester rapper Meduulla on Undercover, a stripped-back R&B track that sidesteps cliché and adds a sharper edge ahead of her upcoming EP Cupid Killer.

Hearing the term “Get a life” being said to you is usually a very insulting thing, while also probably being the hard-hitting truth that you needed to hear. In Curtisy’s mind, however, the saying carries a more versatile meaning.

Stresshead, Ancona and Eddie Caine’s ‘Grab Me Water’ taps into the raw, physical side of club culture, capturing the moment where energy peaks and starts to spill over.

Eilish Constance returns with ‘Tethered’, a more controlled and defined release that shows a clearer sense of direction and intent.

Mychelle shares Personal Attack, a reflective new single exploring the emotional weight of strained relationships. Produced by SirBastien, the track leans into her signature blend of neo-soul and indie-folk textures.

gianna’s debut EP Behind The Wings is a cohesive and emotionally aware project that leans into atmosphere and identity. It’s a controlled, intimate listen that builds its impact through mood, consistency and a clear sense of self.

Tia Gordon returns with should i give it up, a restrained neo-soul track that leans into self-doubt and creative uncertainty. The single offers a more exposed moment ahead of her upcoming EP i asked the stars for this. x.

KhakiKid returns with Soul, a reflective new single that explores the thoughts that surface after an argument. Blending melancholic piano with alt-rap production, the track reveals a more vulnerable side of the Dublin artist ahead of his upcoming EP Girl Bites Dog.

Ellie Allen returns with LOVEBOMB, a sharp, club-driven track that channels the chaos of modern dating into something more controlled and confrontational. Blending heavy production with self-aware writing, the single marks a more defined edge in her sound.

Finn Askew returns with Distance, a late-night, tension-filled single that leans into a more chaotic and instinctive side of his sound. Produced by Ezra Skys, the track blends alt-R&B and pop influences while setting the tone for his upcoming mixtape.

Charlie Jeer links up with Mahalia for a reworked version of Mona Lisa, bringing a smoother R&B edge into his jazz-house sound. The new version reshapes the track through live instrumentation and a more conversational vocal dynamic.

Some love songs explode with certainty. Others sit in the uncomfortable middle. On her new single “limerence,” rising LA-based artist jite leans into that emotional grey area. The track circles the kind of overthinking that creeps into relationships once the honeymoon glow fades, when affection and doubt begin to exist side by side.

In a time where debut singles often arrive layered, loud and desperate to prove a point, Jael does the opposite. “Prisoner Of Love” is stripped back to almost nothing. A subtle guitar line drifts in the background, barely intruding. The production leaves space on purpose. And in that space, her voice carries everything. No dramatic swells. No heavy layering. Just control.