LAUREL SMITH UNLEASHES A FIERCE ANTHEM OF FEMALE RAGE 'PINK GUN'

North London’s Laurel Smith returns with 'pink gun', a blistering new single that channels raw, unfiltered anger into an electrifying alt-pop statement.

A sonic gut-punch of breathless vocal runs and cavernous, brooding beats, 'pink gun' is a voice for the countless women who have endured sexism, gaslighting, and disrespect and are done staying silent.

Laurel isn’t just making music, she’s making space for women to express the frustration and exhaustion that comes with being constantly belittled, dismissed, or made to feel unsafe.

“I wrote pink gun when I was holding in a lot of anger from my experiences as a woman throughout life,” she says. “I know most girls and women have felt and experienced all these things too and internalise these feelings. I want them to let it out.”

This is Laurel at her most unapologetic - blunt, powerful, and unafraid to speak her truth. Laurel’s sound is a collision of influences. Her music exists in the grey area between genres, pulling from the off-kilter rap-pop of Bladee and the late SOPHIE, the cinematic world-building of A24, the grunge-tinted darkness of Deftones, and the shadowy psychedelia of Yves Tumor. The result? A sound that feels like a rebellion in itself; moody, intense, and unpredictable.

With pink gun, Laurel Smith proves she’s more than just an artist - she’s a movement. And she’s just getting started.